Diaries. Leonardo da Vinci famously kept one, filled with a flurry of text and 15th century illustrations. During the 1800s Vincent van Gogh buried himself in a journal too, one that scholars have pored over in an attempt to understand the mysterious late bloomer. Fast forward to the late 20th century and Keith Haring used graph paper to record his thoughts, consistently scrawled on the right-hand side of his diary.
Artists have long understood the beauty of handwriting and doodles. A new exhibition at the Smithsonian is taking advantage of that fact, with its ongoing show "Day in the Life: Artists’ Diaries from the Archives of American Art." Covering a span of nearly 150 years, from 1865 to the dawn of the 21st century, it will showcase the analog musings of 35 artists. From Gertrude Vanderbilt Whitney to Janice Ann Lowry, the show -- a history nerd's dream -- dives into the archives to bring art admirers inside the brains of painters and illustrators past.
The pieces on view are not only famous for their authors, they illuminate familiar, sometimes tragic events like 9/11, the assassination of Martin Luther King, Jr. or the death of Abraham Lincoln. Daily logs written in first person accounts mingle with etched figures and landscapes, appearing as wonderfully historic as cave drawings. After all, the 21st century art admirer is much less inclined to immerse herself in a diary. She has an app for that. But for an artist overwhelmed by the chaotic nature of searching for creative sparks online, "Day in the Life" is a meditative experience.
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Besides the pure archival wonder of these "artifacts," the journal pages offer bits of advice, inspiration and, well, strange quips. "I will not paint sweet and idyllic, as others do the humid soft atmosphere and delicate sky, making ladies sigh and poofs dream. That is done by all," a rather crass Oscar Bluemner, the German-born American modernist painter, wrote in 1911. "I begin to wonder about these pages," Jack Tworkov scribbled in 1954. "What are they for? Why do I write these entries? Partly they satisfy my love of records -- a manifestation of ego. Partly they constitute an effort... to discover my true emotions. Partly they are a literary effort... not without a desire that they sometime in the future be read, if only by those who know me."
Take a peek at the Smithsonian exhibition, on view at the Archives of American Art until February 28, 2015, here. Let us know your thoughts on the show in the comments.