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The original Constitution of India, adopted on 26 January 1950, was not a printed document. It was entirely handcrafted by the artists of Shantiniketan under the guidance of Acharya Nandalal Bose, with the calligraphy texts done by Prem Behari Narain Raizada in Delhi. This document is now preserved in a special helium-filled case in the library of the Parliament of India. In many ways, the original handcrafted Constitution represents one of the triumphs of Shantiniketan and Kala Bhavan.
Tagore conceived of the <em>Utsav</em> (festival in Bengali) as a celebration of diversity that included all. An <em>Utsav</em> for him represented a holistic celebration of human society, which presented an opportunity for aesthetic experience and creativity and, very importantly, appreciation of the gift of nature. These secular festivals continue to this day in Shantiniketan. However, nowhere does one find a truer, finer and grander expression of Tagore's original idea of an inclusive and artistic festival than in Bangladesh.